MBW’s World’s Best Songwriters collection celebrates the composers behind the globe’s largest hits. Right here we meet Jimmy Napes, the Oscar- and Grammy-winning British songwriter who has written with and for Sam Smith, Taylor Swift, Alicia Keys and plenty of extra. World’s Best Songwriters is supported by AMRA – the worldwide digital music assortment society which strives to maximise worth for songwriters and publishers within the digital age.

As the marriage DJ dropped Clear Bandit’s Relatively Be, Jimmy Napes couldn’t assist however smile.
Only a few years in the past, Napes was the harassed man behind the decks, understanding his selection of information was answerable for getting the comfortable couple’s household and associates up and dancing, and placing the seal on what might be the most effective day of their lives.
Now, one of many songs he’d written was doing that job, with out him having to fret about lugging all his gear again to South London at 4am.
“As soon as I’d written some songs that obtained performed at weddings, I knew I used to be on to a great factor,” he grins. “I used to be at a marriage and I heard Relatively Be and it was a type of ‘Practise gratitude, thank God for that!’ moments.”
Napes realized quite a bit from his stint as a reluctant cell disco operator – mainly to “work twice, 3 times, 5 instances as exhausting on the songwriting, as a result of I didn’t need to be doing that endlessly – I fucking hated it to be sincere!”
Fortunately, Napes has been writing the right songs to soundtrack life’s massive moments for fairly some time now. But when it appeared like he turned an in a single day success when his 2012/13 lava-hot streak noticed Disclosure’s Latch, Naughty Boy’s La La La, Sam Smith’s Lay Me Down and Clear Bandit’s Relatively Be all drop in fast succession, the truth was somewhat completely different.
Napes was positive sufficient of his future to tell his dad and mom that, aged 14, he was going to change into knowledgeable songwriter (“It was earlier than I’d even executed my GCSEs, and so they have been me like, ‘Simply decelerate there, companion!’”). However it was over a decade from that chat earlier than he had a real hit, years spent writing music for commercials at Mophonics (most notably a jingle for an Apple iPod Nano advert) and DJ-ing at these weddings and in South London golf equipment to scrape collectively a residing, whereas furiously engaged on his writing in each spare second.
All the pieces modified when he met a younger singer referred to as Sam Smith. On the very first day they met, they wrote Lay Me Down collectively (with their mutual buddy Elvin Smith, who launched them). Napes emailed the tune to his managers, Jack Road and Sam Evitt of Technique Music, and the response was on the spot.
“They referred to as me again inside a minute-and-a-half and the tune’s 4 minutes lengthy!” he laughs. “So I knew we needed to be doing one thing proper!”
Napes and Smith have been inflicting reactions like that ever since, as two halves of one of many best songwriting partnerships in fashionable music. Proper now, they’re pink scorching once more, with Unholy (feat. Kim Petras) – written in Jamaica over rum cocktails throughout a lockdown curfew – proving to be each a historic second (Petras is the primary transgender solo artist to attain a No.1 single) and the largest hit of even Smith’s stellar profession.
“Having a success by no means hurts,” Napes grins. “I’ve at all times passed by the philosophy that you just’re solely nearly as good as your final tune, as a result of it retains you in your toes, retains you hungry and it’s good to be in demand.”
In February, Napes and Smith returned to the Grammy Awards for the primary time since Smith gained 4 (together with Report and Tune of the Yr for Keep With Me) in 2015 (the duo additionally gained the Oscar for Greatest Authentic Tune in 2016 for his or her Bond theme, Writing’s On The Wall). This time, Smith and Petras picked up the Greatest Pop Duo/Group Efficiency Grammy, and Napes confirms he’s now in the course of one other wave of “ridiculous calls” from A-list artists desirous to work with him.
And whereas he’s no devotee of the limelight – he loves with the ability to do the college run with out attracting any undue consideration or having to go on the street – he definitely works exhausting to ensure the world’s high expertise preserve him on pace dial for every time they want a co-writer or producer.
That’s why, as he sits in his discreet North London studio, he’s capable of chat warmly about Mary J Blige jetting into London to work with him; Alicia Keys flying him out to New York for a session; Taylor Swift calling to ask if he needed to make a Christmas report (Christmas Tree Farm); or Sting sending him to the nook store to purchase him a cheese-and-pickle sandwich (“that was significantly surreal”) throughout a session with Disclosure.
“I’m terribly grateful for daily I get to make music for a residing, as a result of I understand how exhausting I labored to get right here.”
That’s why, the morning after the Grammys celebrations, Napes was booked right into a studio with an artist he actually needed to work with (“Who books a session the morning after the Grammys? Somebody that’s obtained to fly house to their youngsters and actually needs to profit from the journey!”).
And that’s why he can enthuse a couple of packed diary filled with classes with each ‘high secret’ superstars and brand-new artists.
“It’s at all times good to be in demand,” he says as he settles down to speak to MBUK in a uncommon interview. “I’m terribly grateful for daily I get to make music for a residing, as a result of I understand how exhausting I labored to get right here. I’ll by no means take it with no consideration.”
Did you got down to do one thing utterly completely different with Unholy?
Sam did. We’d had sufficient of piano ballads, we’ve written our fair proportion of these. It was extra for us than something, we simply needed to strive a distinct route.
It’s change into that report you’ll be able to’t get away from, which is a superb factor. As a result of it’s such a distinct report, we’d be mendacity if we mentioned we thought it was going to do what it’s executed.
What we knew is that we have been pushing boundaries musically, going into areas we hadn’t been to earlier than and that was thrilling. So it’s very nice that that’s been rewarded with the success of
the tune.
Did you understand what a game-changer it might be for everybody?
Yeah. It’s an necessary one too as a result of it’s at that stage of Sam’s profession the place they’re on their fourth album – plenty of artists don’t make it to that quantity, and to have the largest hit of your profession in your fourth album says quite a bit about your longevity.
How do you are feeling in regards to the right-wing backlash towards the tune and the Grammys efficiency?
When you’re not upsetting any individual, you’re doing one thing fallacious! I like supporting artists on their journey, it’s a part of what I like to do – and for those who’re not rising, you’re lifeless, proper?
Sam and I are excellent associates, so I at all times need to make certain they’re good – and they’re, as a result of they’ve by no means been extra themselves.
Once you first met Sam, did you immediately know what a tremendous inventive partnership you’d have?
I didn’t, however I did know Sam had the most effective voice I’d ever heard. I couldn’t fairly consider that voice was actual. After we wrote Lay Me Down, I nonetheless keep in mind I had full goosebumps up and down my arms. I used to be enjoying the piano and it’s a type of emotions you’ll be able to’t overlook, it felt like magic.
The goosebumps don’t lie, I at all times inform myself – generally if the session’s not going effectively, you’re attempting to pressure issues, however you’ll be able to by no means try this. You must let it come to you and the goosebumps are the important thing indicator when one thing’s going effectively.
How typically do the goosebumps come?
Not typically! I want I obtained them extra, however that’s how , they’re very sincere.
Why do you assume you and Sam work so effectively collectively?
It’s to do with the very fact we’re so shut. We actually belief each other; we will inform one another something and that helps.
We’ve simply constructed up a partnership and we complement each other. I feel we’ll at all times work collectively. We are able to’t shake one another now, we’re caught!
We’ve at all times had a relationship the place Sam works with a number of completely different folks, and I’m going off and work with a number of completely different folks. However we each recognise that one thing particular occurs once we work collectively.
Is it very completely different whenever you work with another person?
I’ve good relationships with many of the artists I work with. We work collectively a number of instances and have constructed belief – it’s necessary to do this.
“I like artists to really feel they will belief me, and I can belief them, as a result of it’s in these secure areas that you just get probably the most magic.”
You’re telling plenty of your private life tales in these moments, so I like artists to really feel they will belief me, and I can belief them, as a result of it’s in these secure areas that you just get probably the most magic.
Is that tougher to do within the fashionable world of a number of co-writers?
It’s barely completely different. However what I’ve labored out is, so long as everybody within the room is cool, it doesn’t change something. If everybody’s prepared to be sincere, put their greatest foot ahead and let the most effective thought win, then it doesn’t matter how many individuals are within the room.
With Unholy, there have been six or seven folks concerned and it labored out nice, as a result of everybody’s so nice at what they do and lets everybody breathe and contribute concepts.
Most songwriters specialise in both ballads or bangers. You do each. Which do you favor?
Some songwriters have a lane, however I really like that [I do both], it retains all of it thrilling. If I used to be simply on the piano on a regular basis, it might
be dreary.
However I’ll write a load of songs on the piano after which I’ll work on bangers with whoever it could be, and it freshens the palate. Then you’ll be able to return to the opposite factor and really feel actually excited somewhat than being, ‘Oh no, not this once more’.
When folks ask to work with you, which sort of tune are they requesting?
I at all times see what the artist needs to do, I take heed to the place they’re at of their journey. Generally, somebody’s simply gone via a break-up and the one factor to do is to write down a break-up tune – that’s simply what they need to do, so I’ve to assist them do it.
And possibly it’s a break-up ballad or possibly it’s a break-up banger – that simply is dependent upon what stage of the break-up they’re at.
Do you assume that songwriters get sufficient respect from the business?
Songwriters positively aren’t paid sufficient. When you have a look at the ratio of what they’re paid in comparison with different folks, it makes fairly poor studying.
I’m at all times in a blended place, as a result of I’m so grateful to get to do what I really like for a residing and I’ve been so fortunate, however, if I used to be beginning now and I hadn’t had the success on US radio, it might be a totally completely different story.
“earlier than streaming, it was an excellent darker time, nobody was getting paid something for something. However there’s nonetheless some work to be executed to even out the splits.”
In a method, it’s wonderful as a result of, earlier than streaming, it was an excellent darker time, nobody was getting paid something for something. However there’s nonetheless some work to be executed to even out the splits.
Do you will have a view on the rights sale increase that has taken place prior to now few years?
It’s clearly a scorching subject and plenty of my friends have executed it. It’s simply enterprise on the finish of the day, it’s important to separate the artwork and the enterprise and, if it fits your life and it’s one thing you need to do, I utterly perceive.
It’s giving your self safety long-term, that’s why individuals are selecting to do it, nevertheless it’s additionally a disgrace to not really feel you possibly can take your time and have these royalties collected over your lifespan. Have I had any gives? I’ll preserve that one near my chest! I haven’t executed it but…
When you might change one factor about right this moment’s music business, proper right here and now, what wouldn’t it be and why?
I’d make certain songwriters have been invited to the BRITs. There needs to be some extra love proven to the those who make the music. I wasn’t even invited to the BRITs and I used to be nominated for Tune of the Yr – that’s an odd one isn’t it? So I didn’t go. It feels prefer it’s behind the Grammys in that approach.
You as soon as mentioned you’d written 995 crap songs and 5 good ones. What’s the ratio now?
[Laughs] It’s most likely the identical! I hope it’s getting barely higher now, nevertheless it’s necessary to at all times write.
Don’t flip the faucet of your creativity off. I get up daily and simply write on the piano on my own. Doing that each single day, there’s certain to be plenty of garbage that comes out.
So you continue to write crap songs?
In fact! It’s my forte!
What do you do with them?
You allow them to out. You simply allow them to go. Whether or not it’s a chord, a lyric or a sense that was manifesting in a few of these different songs, that led to the purpose that [another song] turned magic.
It’s all a part of the journey. And, for those who don’t write the crap songs, then the nice ones don’t come.
AMRA is the first of its kind — a global digital music collection society, built on technology and trust. AMRA is designed to maximize value for songwriters and publishers in today’s digital age, while providing the highest level of transparency and efficiency.Music Enterprise Worldwide